Harmony, its theory and practice . 6 6 b9 8 4J J7 -% — (VIII) Andante. 7 (78 6 6 6 667V67{43 45 4— t ^^^f^^^^^^^^f^^^^. (IX) Double Chant. m ^=-f=- i J II I I 3=t= jg=S2: S 2S t=t: 64 6 6S4 6775 2 6 2 j] 6$t4 6 6 46 65 2 3 4 5 87 (X) Hymn Tune. m -f=^\r-nr-:a^u:^ m ?m= 5 6 7 7 « 6 6 6 65 4 1 6 7 t m,^(^ p- -f-^ /s— J J ^^ r?*-^ [~i—M u r 1 La 1 Ig) -- 1 7 — 5 —43 (XI) Hymn Tune. ^^ ^Q^teg^ ^^^=H ^^^ =^;=#=

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Keywords: ., bookcentury1900, bookdecade1900, booksubjectharmony, bookyear1903