Christ and the Virgin Appearing to Saint Francis 1562–1602 Pietro Faccini Italian Faccini's intensely expressive style, rooted in the study of Correggio, Barocci, and the Carracci, is exemplified by this remarkable drawing, in which the saint's convulsed body and agitated drapery seem less a convincing anatomical construction than the outward expression of a turbulent spiritual state. This accomplished design relates to a small painting on panel (oil on panel, 48 x 33 cm, Musée du Louvre inv. 266, Paris, formerly in the Jabach collection), albeit with small variations. Faccini's brief career b
Christ and the Virgin Appearing to Saint Francis 1562–1602 Pietro Faccini Italian Faccini's intensely expressive style, rooted in the study of Correggio, Barocci, and the Carracci, is exemplified by this remarkable drawing, in which the saint's convulsed body and agitated drapery seem less a convincing anatomical construction than the outward expression of a turbulent spiritual state. This accomplished design relates to a small painting on panel (oil on panel, 48 x 33 cm, Musée du Louvre inv. 266, Paris, formerly in the Jabach collection), albeit with small variations. Faccini's brief career began when he took up painting at the age of thirty. After four years of study in the Carracci Academy in Bologna, he left around 1594 to set up a rival school. This drawing was once in the collections of the most famous British collectors and connoisseurs of drawings, Sir Peter Lely (1618–1680) and Jonathan Richardson, Sr. (1665–1745). (). Christ and the Virgin Appearing to Saint Francis 338626
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Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
Model Released: No
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