Domestic architecture of the American colonies and of the early republic . s, for example, in the Markoe house, Philadelphia (1808), the Wickham house,Richmond (1812), and Latrobes plans for houses at the Pittsburgh arsenal. Other vault forms, in the plaster ceilings of hall and vestibule, united perhapswith a variety of form in the walls below, prevented a monotony of merely cubicalrooms. At Homewood, just in 1800, there was a groin vault in three bays, runningtransversely in the lateral passage where it intersects the hall. In Parriss design 238 HOUSES OF THE EAREY REPUBLIC for the Hunnewell
Domestic architecture of the American colonies and of the early republic . s, for example, in the Markoe house, Philadelphia (1808), the Wickham house,Richmond (1812), and Latrobes plans for houses at the Pittsburgh arsenal. Other vault forms, in the plaster ceilings of hall and vestibule, united perhapswith a variety of form in the walls below, prevented a monotony of merely cubicalrooms. At Homewood, just in 1800, there was a groin vault in three bays, runningtransversely in the lateral passage where it intersects the hall. In Parriss design 238 HOUSES OF THE EAREY REPUBLIC for the Hunnewell house in Portland (figure 112), 1805, such a vault runs back inthe hall itself. A more ambitious but less consistent scheme of groined arches sup-ported by pilasters and columns surrounds the large rectangular hall of the Hollis-ter house at Greenfield, where Benjamin published his first book. The Crafts andSears houses (figures 197 and 127) in Boston have each a groin-vaulted bay in thevestibule, flanked by niches. Most ambitious of all in form is the entrance hall of. Front ,7 photograph* copyright JQIJ, by Fra/i/c Cousnis Figure 199. East parlor of the Jerathmeel Peirce (Nichols) house, Salem Samuel Mclntire Latrobes house for Stephen Decatur in Washington, with its segmental vaults: asquare bay with pendentives in the centre, a short barrel vault in front, and a greatniche, itself with minor niches, as the culminating feature. The new interest in composition of space, coupled with structural purism,tended to reduce the elaboration of wall surface, and to concentrate attention onindividual members, chiefly of a functional character: doorways, windows, chim-neypieces, cornices, the centrepieces of ceilings, the strings and hand-rails of stairs. Panelling, which had been getting less common before the Revolution, soondisappeared entirely in favor of plain surfaces of plaster. In a few houses strippanels were applied to the plastered walls in the Adam manner. Mclntire sketched
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Keywords: ., bookcentury1900, bookdecade1920, booksubjectarchite, bookyear1922
