. The theory and practice of tone-relations; an elementary course of harmony with emphasis upon the element of melody . pga^^^^ #6) ^^ *6) _,^ . Tonic Organ-point in bass. 7ab V Eb V Ab VQ I Par. 269. THE NEIGHBORING-NOTE. 149 Larghetto. Tonic Organ-point in tenor. ¥¥■ * *i) The first two melodies are taken from Lesson 10, as shown. Compare them withthe unembellished originals, and make similar experiments with other melodies. — *2) Eachi6th-note is to be an Anticipation; that is, it is not harmonized at all (see Ex. 199). — *$) Each8th-note an Anticipation, throughout. — *4) The altered IV of
. The theory and practice of tone-relations; an elementary course of harmony with emphasis upon the element of melody . pga^^^^ #6) ^^ *6) _,^ . Tonic Organ-point in bass. 7ab V Eb V Ab VQ I Par. 269. THE NEIGHBORING-NOTE. 149 Larghetto. Tonic Organ-point in tenor. ¥¥■ * *i) The first two melodies are taken from Lesson 10, as shown. Compare them withthe unembellished originals, and make similar experiments with other melodies. — *2) Eachi6th-note is to be an Anticipation; that is, it is not harmonized at all (see Ex. 199). — *$) Each8th-note an Anticipation, throughout. — *4) The altered IV of B-flat. — *$) Each single32d-note an Anticipation. — *6) Irregular Anticipation (par. 268). — *7) Anticipation-chord (all four parts) at the end of each slur, throughout. — *8) Mixed IV7 of d minor. CHAPTER NEIGHBORING-NOTE. 269. As stated in par. 249, every inharmonic tone is the upper or lowerdiatonic neighbor of one of the legitimate chord-tones. The special designationNeighboring-note has been adopted by the author to indicate that simpleform of melodic embellishment in which either the upper or lower inharmonic neighbor alternates briefly with the prin-cipal (harmonic) tone.
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