The merchant’s daughter gives birth to a son as a result of eating out of the box. The clever child recognizes the false gems from true, from a Tuti-nama (Tales of a Parrot): Twenty-third Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: x 14 cm (8 x 5 1/2 in.); painting only: x cm (3 1/16 x 4 in.). On the left, a group of merchants argue with a young boy over the veracity of their goods. The boy is a child of fate, miraculously born to a virgin after she ate the remains of a mysterious skull. The box containing the s
The merchant’s daughter gives birth to a son as a result of eating out of the box. The clever child recognizes the false gems from true, from a Tuti-nama (Tales of a Parrot): Twenty-third Night, c. 1560. Mughal India, court of Akbar (reigned 1556–1605). Gum tempera, ink, and gold on paper; overall: x 14 cm (8 x 5 1/2 in.); painting only: x cm (3 1/16 x 4 in.). On the left, a group of merchants argue with a young boy over the veracity of their goods. The boy is a child of fate, miraculously born to a virgin after she ate the remains of a mysterious skull. The box containing the skull sits on the carpet between the virgin and her mother.
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Photo credit: © CMA/BOT / Alamy / Afripics
License: Licensed
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