Chardin . M. W. L. Martin L. Lys Haldane M. G. Konody. In Preparation MEMLINC. ALBERT DURER. FRAGONARD. CONSTABLE. RAEBURN. BOUCHER. WATTE A U. MURILLO. JOHN S. SARGENT, W. H. James Weale. Herbert Furst. C. Haldane MacFall. C. Lewis Hind. James L. Caw. C. Haldane MacFall. C. Lewis Hind. S. L. Bensusan. T. Martin Wood. And Others. PLATE I.—STILL-LIFE. (Frontispiece)(In the Louvre) This Still-Life, which is,among the fine array of Chardinspictures at the Louvre, af
Chardin . M. W. L. Martin L. Lys Haldane M. G. Konody. In Preparation MEMLINC. ALBERT DURER. FRAGONARD. CONSTABLE. RAEBURN. BOUCHER. WATTE A U. MURILLO. JOHN S. SARGENT, W. H. James Weale. Herbert Furst. C. Haldane MacFall. C. Lewis Hind. James L. Caw. C. Haldane MacFall. C. Lewis Hind. S. L. Bensusan. T. Martin Wood. And Others. PLATE I.—STILL-LIFE. (Frontispiece)(In the Louvre) This Still-Life, which is,among the fine array of Chardinspictures at the Louvre, affords a striking illustration of the masterssupreme skill in rendering the surface qualities, textures, plasticproperties, and mutual colour relations of the most varied objects andsubstances, such as porcelain, metals, linen, foodstuffs, wood, and soforth. The composition is somewhat overcrowded, and lacks thesense of order in the apparent disorder, that is so typical of Chardinsstill-life 10
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Keywords: ., bookauthorkonodypaulgpaulgeorge, bookcentury1900, bookdecade1900
