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Artificial soft paste porcelain : France, Italy, Spain and England . Wadsworth Atbenaeum, Hartford, Ct. Frit Paste Vase (9 inches in height).Decorated in Blue, Chinese , England, about Nos. 04-58b, 80. 38. Soft Paste Enamel and , about 1770. 39. Soft Paste Cup and Saucer. Enamel Colours and Gold, and Blue Bands. Worcester, England, about 1770. 27 In the collection of the Wadsworth Athenaeum of Hartford, Ct,is a tall vase of fritted porcelain, with painting in Chinese style in darkblue (No. 37), belonging to the earliest period. New body com
Artificial soft paste porcelain : France, Italy, Spain and England . Wadsworth Atbenaeum, Hartford, Ct. Frit Paste Vase (9 inches in height).Decorated in Blue, Chinese , England, about Nos. 04-58b, 80. 38. Soft Paste Enamel and , about 1770. 39. Soft Paste Cup and Saucer. Enamel Colours and Gold, and Blue Bands. Worcester, England, about 1770. 27 In the collection of the Wadsworth Athenaeum of Hartford, Ct,is a tall vase of fritted porcelain, with painting in Chinese style in darkblue (No. 37), belonging to the earliest period. New body compositions were invented at Worcester at varioustimes, and the changes in the paste, produced by the introductionof soapstone, bone dust, and china clays, were so gradual that it isimpossible to decide just when the manufacture of one ended andthe next one began. At least three distinct bodies were used,first the frit, second the soapstone, and finally the bone body, whenbone ashes and Cornish clays were introduced and the ware took onthe character of the natural soft paste porcelain of the other Englishfactories. The production of the glassy porcelain continued, however,for some time after the steat
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Keywords: ., bookauthorpennsylvaniamuseumand, bookcentury1900, bookdecade1900