. Review of reviews and world's work. FOUR JAPANESE HEROES AT THE YALU. (They swam the river in the face of artillery fire.)—AJapanese popular picture. A JAPANESE HERO AT PORT ARTHUR. (The boarding of a Russian torpedo boat by marines of aJapanese destroyer.)—A Japanese popular picture. iVAR PICTURFS IN RUSSIA AND JAPAN. 43 in color, but thoy appeal toa higlier grade public, asthe percentage of illiteracyin Japan is iinich less thanthat in Russia. The author-ities have notlnng to dowith these pictures in Ja-pan. Their general tone >one of exaltation of the lutional heroes ; and whenRussians
. Review of reviews and world's work. FOUR JAPANESE HEROES AT THE YALU. (They swam the river in the face of artillery fire.)—AJapanese popular picture. A JAPANESE HERO AT PORT ARTHUR. (The boarding of a Russian torpedo boat by marines of aJapanese destroyer.)—A Japanese popular picture. iVAR PICTURFS IN RUSSIA AND JAPAN. 43 in color, but thoy appeal toa higlier grade public, asthe percentage of illiteracyin Japan is iinich less thanthat in Russia. The author-ities have notlnng to dowith these pictures in Ja-pan. Their general tone >one of exaltation of the lutional heroes ; and whenRussians are referred to, itis not in the coarse, con-temptuous way which char-actcnizes the pictures onthe other side. There is noappeal to religious preju-dice in the Japanese pic-tures. They are usuallyvery full of detail, ant!whereas the Russian pic-tures make much of the in-dividual soldier, tlio Japanese must always have theirnational flag in mi; ;K STuKM kin rilAC KOItr. V IAIANKSK ll>|>ri,\H IMTlHK.
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Keywords: ., bookcentury1800, bookdecade1890, bookpublishernewyo, bookyear1890
