The theory and practice of landscape painting in water-colours Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts . Wales, at Capel Q2 228 LANDSCAPE-PAINTING. Curig, Bettws-y-Coed, Dolgelly (chiefly slate), &c. But to find combined,rocks, bold headlands, distant mountains, and islands, in the greatest variety,the student should visit the west of Scotland, which affords abundant mate-rials for endless study; taking care not to pass over too great an extent ofcountry at one time, but rather setting himself down quietly for the seasonin one of the follow
The theory and practice of landscape painting in water-colours Illustrated by a series of twenty-six drawings and diagrams in colours, and numerous woodcuts . Wales, at Capel Q2 228 LANDSCAPE-PAINTING. Curig, Bettws-y-Coed, Dolgelly (chiefly slate), &c. But to find combined,rocks, bold headlands, distant mountains, and islands, in the greatest variety,the student should visit the west of Scotland, which affords abundant mate-rials for endless study; taking care not to pass over too great an extent ofcountry at one time, but rather setting himself down quietly for the seasonin one of the following places: Head of Loch Lomond, at Glen Falloch;Killin, Loch Tay; Dalmally, Loch Awe; Oban; Arran; Loch Fine; and,to conclude this list with the finest and wildest scenery in Great Britain, theTsle of Skye. By means of the steamers from Glasgow this extraordinary,wild, and magnificent island can now be easily reached ; and the young artist,losing no time at Broadford, should pass immediately on to Sligachan inn,in Glen Sligachan, Loch Coruisk, and Loch Scavaig, where he will find allthat an enthusiastic lover of wild and savage nature can UUItSIlAM UKBCHE8. PICTORIAL PHENOMENA OF NATURE. 229 SECTION IX.—PICTORIAL PHENOMENA OF NATURE, DESIGNATED BY ARTISTS EFFECTS.
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Keywords: ., bookcentury1800, bookdecade1870, booksubjectwatercolorpainting
