Oak-leaf jars; a fifteenth century Italian ware showing Moresco influence . Fig Gl.—ALBARELLO (Moresco). Maiolica. The ornament is paintedin cobalt-blue, the ground is the white stanniferous enamel. See p. xxiii,note. (An albarello of the same series, but with antelopes instead ofbirds, belonging to the writer, is exhibited at S. Kensington Museum.)H. 28 cm. Mr. F. Waldemar Fuchs. G4. —TWO VASES FROM PAINTINGS BY THE MASTEROF FLEMALLE. No. 1. A two-handled jar ; from a painting inthe Prado Gallery, Madrid. No. 2. A boccale; from a paintingbelonging to the Countess de M^rode. See p, xxxi
Oak-leaf jars; a fifteenth century Italian ware showing Moresco influence . Fig Gl.—ALBARELLO (Moresco). Maiolica. The ornament is paintedin cobalt-blue, the ground is the white stanniferous enamel. See p. xxiii,note. (An albarello of the same series, but with antelopes instead ofbirds, belonging to the writer, is exhibited at S. Kensington Museum.)H. 28 cm. Mr. F. Waldemar Fuchs. G4. —TWO VASES FROM PAINTINGS BY THE MASTEROF FLEMALLE. No. 1. A two-handled jar ; from a painting inthe Prado Gallery, Madrid. No. 2. A boccale; from a paintingbelonging to the Countess de M^rode. See p, xxxix. 3 APPENDIX. 60 APPENDIX. ^ I^HE following illustrations of fragments, figs. , found onthe Cairo mounds (with the exception of fig. 63, which camefrom Damascus, and the detail from Dr. Fouquets Jar) are givenmainlj as characteristic examples of Oriental ceramic ornament fromwares, of which possibly more or less numerous specimens had beenimported into Italy previous to the period of the manufacture ofour jars. They have not been selected with reference to any specialornamental motives on the latter, although in certain cases thereare seen to be unmistakable analogies of method and design. Theaffinities are more those of style and of decorative effect in thearrangement of light and dark, and in the manner of covering theground so as to keep it interesting and vivaciou
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Keywords: ., bookcentury1900, bookdecade1900, booksubjectdecorationandornamen
