The history of the violin, and other instruments played on with the bow from the remotest times to the presentAlso, an account of the principal makers, English and foreign, with numerous illustrationsBy William Sandys and Simon Andrew Forster . of de Cabestaing,but we cannot help thinking that all the sympathy is notdue to the lovers. Jauffred de Radel was still more HISTORY OF THE VIOLIN. 71 romantic ; he fell violently in love with the Countess ofTripoli from mere description, and induced his friendBertrand dAllamanon to accompany him to the Levantin 1162, but fell ill during the passage, an
The history of the violin, and other instruments played on with the bow from the remotest times to the presentAlso, an account of the principal makers, English and foreign, with numerous illustrationsBy William Sandys and Simon Andrew Forster . of de Cabestaing,but we cannot help thinking that all the sympathy is notdue to the lovers. Jauffred de Radel was still more HISTORY OF THE VIOLIN. 71 romantic ; he fell violently in love with the Countess ofTripoli from mere description, and induced his friendBertrand dAllamanon to accompany him to the Levantin 1162, but fell ill during the passage, and, on hisarrival at Tripoli, just lived long enough to see thecountess, express his passion, and then die. In the Conte of Aucassin and Nicolette, Nicolette havingbeen made captive, is discovered to be the daughter ofthe King of Carthage, and she wishes to return to Au-cassin to avoid being married to a rich pagan difficulty is how to escape, but at last she contrivesto manage this in the garb of a minstrel: EUe quistune viele, saprist a vieler, et elle sembla la nuit, sisatorna a guise de joglior; and having thus arrivedsafely in Provence, si prist sa viele, si alia vielant parle pays, tant quelle vint au castel de 72 HISTORY OF THE VIOLIN.
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License: Licensed
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Keywords: ., bookcentury1800, bookdecade1860, booksubjectviolin, bookyear1864
