The works of John Ruskin . Fig. 2 straighter at the bottom and more bent at the top, Fig. 6,or straighter at the top and more bent at the bottom,Fig. 7. We will do so as delicately and cunningly as we can,so that for some distance there is scarcely any perceptibleinterval between the lines. Yet the two resulting forms,Fig. 6 and Fig. 7, are completely distinct from each other. Now these are each of them main types of a vast group RUDIMENTARY SERIES : INSTRUCTIONS 247 of forms of beautiful shields. I have cast an example ofFig. 6, from the north aisle of Westminster Abbey, drawnhalf size, my pa
The works of John Ruskin . Fig. 2 straighter at the bottom and more bent at the top, Fig. 6,or straighter at the top and more bent at the bottom,Fig. 7. We will do so as delicately and cunningly as we can,so that for some distance there is scarcely any perceptibleinterval between the lines. Yet the two resulting forms,Fig. 6 and Fig. 7, are completely distinct from each other. Now these are each of them main types of a vast group RUDIMENTARY SERIES : INSTRUCTIONS 247 of forms of beautiful shields. I have cast an example ofFig. 6, from the north aisle of Westminster Abbey, drawnhalf size, my paper not being large enough, in R. Ifnext time you go to London you look at William deValences shield in the first chapel on the south side of
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Keywords: ., bookcentury1900, bookdecade1900, bookpublisherlondo, bookyear1903
