Metals and metal-working in old Japan . min. Plate XXVII. Vase by Teijo. (Early nineteenth century,Cernuschi Collection.) Plate XXI. A Hawk by Suzuki Chokichi. A well-known example of the work of this artist is anincense burner with doves and peacocks, in the Victoria andAlbert Museum, the doves especially being masterpieces ofmodelling, and an embodiment in bronze of the highestdevelopments of the naturalistic school. With the death of the last representative of this brilliantgroup of art founders, about the end of the first half of lastcentury, the art gradually passed into a stage of decade
Metals and metal-working in old Japan . min. Plate XXVII. Vase by Teijo. (Early nineteenth century,Cernuschi Collection.) Plate XXI. A Hawk by Suzuki Chokichi. A well-known example of the work of this artist is anincense burner with doves and peacocks, in the Victoria andAlbert Museum, the doves especially being masterpieces ofmodelling, and an embodiment in bronze of the highestdevelopments of the naturalistic school. With the death of the last representative of this brilliantgroup of art founders, about the end of the first half of lastcentury, the art gradually passed into a stage of decadence,the lowest depths of which it but recently reached, and fromwhich it is only just emerging. Vast numbers of bronzes have indeed been cast,but they are too often of meretricious design and tawdryornament. Fortunately there are a few notable exceptions to thisstatement. In the first decades of the second half of thecentury, Dosai, Gido, Somin, Joun, Tanchosai, Toryusai, andIzan, did much excellent work, and ably sustained, under con-. ^ > < 1 h WX <*. X X Q (U Z « < a. U) wJ < ?^ w «F-M .^. t-* 0 1 0 l-i 1 HH X Z 2U o ^ 1/ Q 0 0 H 0 < Z ifl ^H Z . « H 0 UJ > u 0 c/)
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Keywords: ., boo, bookcentury1900, bookpublisherlondonsn, booksubjectmetalwork
