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School catalog, 1897-1898 . erent mediums, of schemes for in-terior decoration, including treatment of walls, floors,ceilings, windows, hangings and furniture. EXAMINATIONS,(i) Time Sketch in water-color of flowers or a group ofobjects. (2) Time Sketch in Applied Design. (3) Color Harmony. (4) Paper on the Origin and Chemistry of Pigments. (5) Paper on Principles of Design in Surface Decoration. (6) Description of Processes of Manufacture; a paperbased mainly upon visits to industrial establishments. (Pupils in this class attend the lectures on Anatomy, on Har-mony of Color, on the Chemistry o
School catalog, 1897-1898 . erent mediums, of schemes for in-terior decoration, including treatment of walls, floors,ceilings, windows, hangings and furniture. EXAMINATIONS,(i) Time Sketch in water-color of flowers or a group ofobjects. (2) Time Sketch in Applied Design. (3) Color Harmony. (4) Paper on the Origin and Chemistry of Pigments. (5) Paper on Principles of Design in Surface Decoration. (6) Description of Processes of Manufacture; a paperbased mainly upon visits to industrial establishments. (Pupils in this class attend the lectures on Anatomy, on Har-mony of Color, on the Chemistry of Pigments, on Historic Orna-ment, and on Principles of Decorative Design, and work regularlyin the Life Class.) 24 The course described above is the full course prescribedfor those who are working for the Diploma of the those who prefer to devote themselves more exclusivelyto the work in industrial design, the following modifiedcourse has been arranged, on the completion of which aspecial certificate is awarded:. Design for Grill in VViought Iron. Special Course in HppUed Design. DAY AND EVENING CLASSES. Exercises.(i) Studies in Color Harmony. (2) Enlargement and Reduction of Colored Ornamentfrom Plates, etc., and from Actual Fabrics. (3) Geometrical Design. (4) Flower Painting from Nature, in water-color. (5) Plant Analysis and Conventionalization. (6) Original adaptations of natural forms and historicalmotives to the decoration of fiat and of curved siu-faces,as of pottery forms, and to different methods of execu-tion, as by Printing, Stamping, Stencilling, etc. 25 (/) Designs for Stained-Glass work, including Tracing,Pattern cutting and the execution of Cartoons. (8) Renderings, in dififerent mediums, of schemes for in-terior decoration, in elevation and in perspective. Thisincludes treatment of walls, floors, ceilings, windows,hangings and furniture. (9) Designs for Ginghams and Dress Goods. (10) Designs for Oil-Cloth, outlining and coloring for Lin-oleums, Line
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Keywords: ., bookauthorpennsylvaniamuseumand, bookcentury1800, bookdecade1890