Illustrations in choir accompaniment : with hints in registration : a hand-book (provided with marginal notes for reference) for the use of organ students, organists, and those interested in church music . »â^» #=^ 1â - e(? occeZ Ji â¦v &- ggiiigigsi>=g^^jisig|g|^=|i^gg^feE??5E -⢠#â>- 3. By tliine liourof darkdes-pair, By thine a - go - ny of prayer, Ey tlie imr-ple rolje of scorn, By tliy :g=b=-t -^^â^ iv -i -^fi.^ mm^. i i -m- â »- lift our streaming eyes, Scarce we lilt our stream-ing eyes; 0, by all thy pains and woe, Suf-fered -^g N N N N- -⢠0 â¢- 1^^ -â¢all. ^m sâk- ^^nm
Illustrations in choir accompaniment : with hints in registration : a hand-book (provided with marginal notes for reference) for the use of organ students, organists, and those interested in church music . »â^» #=^ 1â - e(? occeZ Ji â¦v &- ggiiigigsi>=g^^jisig|g|^=|i^gg^feE??5E -⢠#â>- 3. By tliine liourof darkdes-pair, By thine a - go - ny of prayer, Ey tlie imr-ple rolje of scorn, By tliy :g=b=-t -^^â^ iv -i -^fi.^ mm^. i i -m- â »- lift our streaming eyes, Scarce we lilt our stream-ing eyes; 0, by all thy pains and woe, Suf-fered -^g N N N N- -⢠0 â¢- 1^^ -â¢all. ^m sâk- ^^nmE^simm^ wounds, thy crown of thorns, by thy wounds, thy crown of thorns; By thy cross, thy pangs and cries, By thy gp^^ig^^^jsg^l^ijsg:: I : -5-1 I r J L â p-^- ACCOJIPANLMEXT OF IHAKTKT CHOIKS. Arr. from R. Franz. ^zz^z :âI Lu/âs. l^^iSi^i :^i:z±zir|5TZ2-_=: once for man be-low, Beiidingfromtliy throne on high, Hear our solemn lit 7 a- ny, Hear our solemn lit - a - ny. i6^j^g^E:0i^s^jai^=^^l^g^^;^^ ci-es. e poco accel. rail Ki;£: ^zM :i= -fslf=iziz per-fect sac-ri-lice: Je-sns, look with pity-ing eye, Ilearour solemn lit - a- ny, ^â^ Hear our solemn lit - a - ny 111. Exam])le 31.âThe accompaniment liere begins in close harmony. This form was necessitatedby the -wish to begin with eight-foot stops only, without pedals, and tlnis to avoid tlie stretch ofa tentli (A iiat to C), which would occiu- in the third chord of the first full measure. The pedalsare supposed to be coupled to the Swell, and possibly to the Great Organ Stopped Diapason; ifa three-manual Organ, to the Choir Melodia in preference. No Pedal-stop is supposed drawn atfirst. (In this connection, see again Example 25, note 5.) At 5, Example 31 ; the right hand assuming the harmony, the left passes quickly to thePedal Bom-don or Didciana of sixteen feet, which is drawn at <?. As the opening registration was very light, and the Swell is now closed from the diminuendopreceding 5, stop
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Keywords: ., bookcentury1800, bookdecade1880, booksubjectorganmu, bookyear1888
