. A new history of painting in Italy, from the II to the XVI century; . and execution, as thatof the Good Pastor, nor were the prophets in couples conversingabout the arches of the cupola less worthy of admiration. Theornaments of the chapel were completed by a cross in the centreof the dome, by the symbols of the Evangelists on red cloudsrelieved on a blue ground spotted with stars, by rich foliatedornament on a blue ground, enhvened with figures in the thicknessand by the Greek initials of the Saviour in the keys of the mysterious and sombre hght trickled into the edifice throughfou
. A new history of painting in Italy, from the II to the XVI century; . and execution, as thatof the Good Pastor, nor were the prophets in couples conversingabout the arches of the cupola less worthy of admiration. Theornaments of the chapel were completed by a cross in the centreof the dome, by the symbols of the Evangelists on red cloudsrelieved on a blue ground spotted with stars, by rich foliatedornament on a blue ground, enhvened with figures in the thicknessand by the Greek initials of the Saviour in the keys of the mysterious and sombre hght trickled into the edifice throughfour small windows in the dome.^ 1 [Now spoiled by restoration, like the rest of the work in SS. Nazarioe Celso.^] ^^^^ period we have an example in the Cappella S. Satiro now in-corporated into the church of S. Ambrogio at Milan. The centre of the cupolais adorned with a half-length of S. Victor, whose name is inscribed on a bookin his grasp. The hand of the Eternal issues from above- the whole m amedallion on gold ground framed in a green garland. A series of feigned.
Size: 1274px × 1962px
Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., book, bookcentury1900, bookdecade1900, booksubjectpaintingitalian
