Modern harmony, its explanation and application . ALTERED NOTES AND ADDED NOTES 85 Andante. LANDON RONALD,Pensee ^. *^. >^«- ^feh^M \,\f^ WAGNER, Gotterdammerung, ^iViitg|rl!i(gi||^»>i5g|rp^if Further, these added note chords may be subject toTh Ch d cliroDi^tic alterations, partial or total; and this is of the frequently a more effective way of dealing with^l^th** the five forms of the augmented sixth chords thanthe tonal explanation, as the combinations at (d)and (/) cannot be called tonal chords. - a) b) c) d) -e) f) l^fe-ti ^hin[^>?. II ;^^

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Modern harmony, its explanation and application . ALTERED NOTES AND ADDED NOTES 85 Andante. LANDON RONALD,Pensee ^. *^. >^«- ^feh^M \,\f^ WAGNER, Gotterdammerung, ^iViitg|rl!i(gi||^»>i5g|rp^if Further, these added note chords may be subject toTh Ch d cliroDi^tic alterations, partial or total; and this is of the frequently a more effective way of dealing with^l^th** the five forms of the augmented sixth chords thanthe tonal explanation, as the combinations at (d)and (/) cannot be called tonal chords. - a) b) c) d) -e) f) l^fe-ti ^hin[^>?. II ;^^^ ifif:g i J (Scheme)?o- a Ti II Fi- 1 i,g. II ?.. i=^i^=t BSE Chromatic alterations may be applied also to the newerchords formed by fourths and fifths, equal or unequal, andalso to the mixed structures; and the device of appoggia-turas is applied to these chords quite as freely as to thesimple and diatonic forms. More fundamentally still, thispractice of chromatic alteration may be applied to those 86 MODERN HARMONY diatonic structures of thirds for chord and scale-formationwhich are used by the ultra-raodern composer

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Keywords: ., bookcentury1900, bookdecade1910, booksubjectharmony, bookyear1915