International studio . ntry. .\\. jMacbeths Galleries the strange yet appeal-ing pastorals of .Arthur B. Davies were followeduntil the 20th of .\pril by sixteen delightful can-vases by Richard E. Miller. j\Ir. Miller is painter who has received more than theusual amount of recognition abroad, and of whosework the appreciation in this country has beenmarked by the recent purchase of The Boudoir bythe Corcoran Gallery. Mr. Millers paintings arenot elaborate or sophisticated, wherein lies muchof their charm, for they take the eye and mind tosheltered garden nooks, where quiet afternoo
International studio . ntry. .\\. jMacbeths Galleries the strange yet appeal-ing pastorals of .Arthur B. Davies were followeduntil the 20th of .\pril by sixteen delightful can-vases by Richard E. Miller. j\Ir. Miller is painter who has received more than theusual amount of recognition abroad, and of whosework the appreciation in this country has beenmarked by the recent purchase of The Boudoir bythe Corcoran Gallery. Mr. Millers paintings arenot elaborate or sophisticated, wherein lies muchof their charm, for they take the eye and mind tosheltered garden nooks, where quiet afternoon teasare in progress under shadowing trees, and alwaysthere are gracious and beautiful women. -Among the galleries devoted to the showing ofold paintings, the Ehrich Galleries are to be notedas the setting for a group of seventeenth andeighteenth-century French portraits—Chardin,Drouais, Greuze, Le Brun, Mignard, Rigaud,Tocque, Van Loo and Vestier making uj) the col-lection. The paintings are consistentlv Courtesy oj the Ehrich GatUrier,PORTRAIT OF JEAN VAN /// tJie Galleries personally varied and similar only in that spirit ofgaUantry and polite bravado which formed everthe keynote of the period. Victor G. FischersGalleries Tviil not show any special exhibitionsother than the eighteenth and early nineteenth-century EngUsh paintings now on view. Amongthese are two very attractive portraits and a rarelandscape by Reynolds, as well as an excellentLawrence. The Kraemer Gallery, from the 4th to the30th of March, showed a collection of paint-ings and studies by J. Wenger, a young painterwhose work makes a strong bid for most of his subjects behind the footlightsand in the ?wings, he presents them in a mannerwhich would indicate that he first believes thememinently worthy of portrayal, and, secondly, thathe beheves himself capable (as he is) of portrayingthem. Moulton & Ricketts, in their capacity as printdealers, recently showed their large co
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
