. Studio international . MORLAND (PASTEL). BY K (Walker Art Gallery, Liverpool) On the />///-< <it Wroxham, by Alfred Parsons, (oils) ; Langdale Pikes, by R. Gwelo Good-ami The Balloon, by Miss Mar) I i»«lour). I [. B. B. P ARIS.—Designingfor embroiderymust be rankedas one of themost neglected of the who have full com-mand over their silk andneedle do not feel them-selves equal to inventingdesigns of their nunworthy of their apprecia-tion, and often have tocontent themselves withpoor substitutes ; conse-quently much energ) andskill are bestowed onwork which, as regards
. Studio international . MORLAND (PASTEL). BY K (Walker Art Gallery, Liverpool) On the />///-< <it Wroxham, by Alfred Parsons, (oils) ; Langdale Pikes, by R. Gwelo Good-ami The Balloon, by Miss Mar) I i»«lour). I [. B. B. P ARIS.—Designingfor embroiderymust be rankedas one of themost neglected of the who have full com-mand over their silk andneedle do not feel them-selves equal to inventingdesigns of their nunworthy of their apprecia-tion, and often have tocontent themselves withpoor substitutes ; conse-quently much energ) andskill are bestowed onwork which, as regardsdesign, is both insipid andmeaningless. Early recog-nition of this led to search from gwei man one artist to another for designs in sympathy withher vision. The work ofMiss Jessie M. Ring appealed strongly to her. andthe result was that a scries of designs were startedfrom Malorys Morte DArthur,and another fromMaurice Hewletts Life of Richard \ ea and Yin. IIV MM .
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Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
