. Orchestration . et on a fairly low notewith the addition of a Cello pizzicato and a soft-stick-roll on theCymbal, while a Harp or Glockenspiel sets the note free in the octaveabove. The addition of ppp Brass as a background, with Flutes above,materially helps the illusion. This sort of recipe is, of course, useless,unless the music itself suggests a Carillon-pattern. Of Bells in musical literature there are not many examples. Twoare naively used by Bach in his Cantata for Contralto Voice,Schlage dock, gewilnschte Stunde. Their pitch notes are Bl^ and Et|.The notation of the Gampanella in thi


. Orchestration . et on a fairly low notewith the addition of a Cello pizzicato and a soft-stick-roll on theCymbal, while a Harp or Glockenspiel sets the note free in the octaveabove. The addition of ppp Brass as a background, with Flutes above,materially helps the illusion. This sort of recipe is, of course, useless,unless the music itself suggests a Carillon-pattern. Of Bells in musical literature there are not many examples. Twoare naively used by Bach in his Cantata for Contralto Voice,Schlage dock, gewilnschte Stunde. Their pitch notes are Bl^ and Et|.The notation of the Gampanella in this Cantata is as follows: ^¥ ^ The actual octave intended by Bach is, of course, quite uncertain,nor is it clear why, in writing for the Bells as transposing instru-ments in E, he should not have used the obvious notation of G, , is it merely a mistake of bass- for treble-clef ? m Sullivan employed a set of Bells in the Golden Legend,- EXAMPLE 15. Sullivan. Golde-n Energico. Wood-Wind. BELLS. BELL IMITATIONS while Stanford has made effective use of a reiterated 57 in the 3rd Act (the Church Scene) of his opera, Much Ado aboutNothing. EXAMPLE 16. Stanford. Much Ado about Nothing. Flutes I & H Elute m. Clarinets,(actual sounds; Bass-Clar.(actual sounds) Bassoons. Organ. Bells. Violins I &H. Violas. Cellos. i ~ ** r. » - V * i t & § » % fl q g s*]*^ P i n s I ?* ***: *^ *=^ :#=*: T~=~ i i i bee [Procession of Franciscan llonks.^ i §i ^ SE « a s ^ g Allegro Maestoso. .*>= * r r r ir r < r ir r r i ^^


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