. Voice and song : a practical method for the study of singing . must be constant and even, ex- actly in accordance with the sign (see Remarks, Ex. 87). Should preparatory work be needed for the crescendo and the diminuendo on moving notes, the first partof Ex. 11 o to 116 may be used ; thus : * jL £ ;- = c ~—^—T^TF ,- - C=7_ _ H=~—I and tez EscE^iztSE so 1 For example. The M 2d C - D of the example above, may be found in the Key of C major or minor I - II; G major or minor, IV - V ; F major V -VI; B flatmajor II-III; E flat major VI- VII; and A minor III - IV. The A 2d C - D3, third meas
. Voice and song : a practical method for the study of singing . must be constant and even, ex- actly in accordance with the sign (see Remarks, Ex. 87). Should preparatory work be needed for the crescendo and the diminuendo on moving notes, the first partof Ex. 11 o to 116 may be used ; thus : * jL £ ;- = c ~—^—T^TF ,- - C=7_ _ H=~—I and tez EscE^iztSE so 1 For example. The M 2d C - D of the example above, may be found in the Key of C major or minor I - II; G major or minor, IV - V ; F major V -VI; B flatmajor II-III; E flat major VI- VII; and A minor III - IV. The A 2d C - D3, third measure of example above, is to be found only in the Key of E minor VI - VILOf the three forms of the minor scale, the harmonic form alone should be used for this locating of intervals. 2 Memorize each variation thoroughly, before attempting to sing it through the key. VOICE AND SONG. 113 In Variation 4, the notes are separated; repeat each group of four notes as in the first part of the exer-cise. A short stroke under or over a note is the special sign for tenuto ( Ital., held ), abbreviated ten.;the note is to be carefully and firmly held its full The attack and release will requireparticular attention. Of course, breath must not be taken, or allowed to escape, between the notes. Variation 5 is to be performed softly, neatly and delicately,
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