Programme . nd is punctuated by tromboneand tuba chords and with cymbal strokes. The cadenza theme enters,full orchestra, with a characteristic figure of accompaniment. Thetwo themes are alternated, and there is a side theme for solo the strings, quasi guitara, hint at the fandango rhythm of thelast movement, and accompany the gypsy song, now blown staccatoby wood-wind instruments. The cadenza theme is enwrapped in trip-lets for strings alternating with harmonics pizz. The pace grows moreand more furious, animato, and leads into the Finale. V. Fandango of the Asturias. A major, 3-4.


Programme . nd is punctuated by tromboneand tuba chords and with cymbal strokes. The cadenza theme enters,full orchestra, with a characteristic figure of accompaniment. Thetwo themes are alternated, and there is a side theme for solo the strings, quasi guitara, hint at the fandango rhythm of thelast movement, and accompany the gypsy song, now blown staccatoby wood-wind instruments. The cadenza theme is enwrapped in trip-lets for strings alternating with harmonics pizz. The pace grows moreand more furious, animato, and leads into the Finale. V. Fandango of the Asturias. A major, 3-4. The origin of the word fandango is obscure. The larger Spanishdictionaries question the derivation from the Latin fidicinare, toplay upon the lyre or any other stringed instrument. Some admita Negro origin. In England of the eighteenth century a ball was com-monly called a fandango. Mrs. Grove says that the Spanish wordmeans go and dance, but she does not give any authority for her fVIACULMR DARKER ICOHPANT. cveiiMeg 3 Quality, Style, Fit, and Superb Tailoring arefelt as well as seen in Macullar Parker Dress Suits. Made on the premises — forimmediate wear. $40 and $50400 WASHINGTON STREET VIOLAS and CELLOS of exquisite toneand splendid condition ITALIAN VIOLIN STRINGS SUPPLYCOMPANY 218 Tremont Street and 60Lagrange Street, Boston, Mass. Telephone. Oxford 4380 606 ftmryf. Wilier is not a result of chance, but is attained throughpatient endeavor to make something better,guided by knowledge and spurred by desire. The desire to build a better piano led Henry F. Millerto start in business in 1863; his knowledge, the fruitof experience, was his faithful guide, and the endeavorof himself, his sons and grandsons has ever been toma\e only the best. The results of their policy have never been moreevident than in the Henry F. Miller Pianos ofto-day; supreme in quality as to TONE, superiorin quality as to STYLE, their reputation hasbeen built upon that most satisfactory quality:DURABILI


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Keywords: ., bookauthorbostonsy, bookcentury1800, bookdecade1880, bookyear1881