Cabinet of modes or new modes, January 15, 1786, 5th notebook, pl. I, Anonymous, 1786 Robe à la Turque. According to the accompanying text, the woman wears a large hat of satin (color Nakara), garnished with bows of lilac ribbon and an aigrette. Around the hat a ribbon of the same color as the dress. Fichu van Linen with Lila Strik. Body and skirt of white satin with embroidered lilac flowers and green leaves. The strips that form the Falbala on the bottom edge of the skirt are from Nakara, as well as the paves on the body. The dress is made of red satin (Nakara), is trimmed with a white band
Cabinet of modes or new modes, January 15, 1786, 5th notebook, pl. I, Anonymous, 1786 Robe à la Turque. According to the accompanying text, the woman wears a large hat of satin (color Nakara), garnished with bows of lilac ribbon and an aigrette. Around the hat a ribbon of the same color as the dress. Fichu van Linen with Lila Strik. Body and skirt of white satin with embroidered lilac flowers and green leaves. The strips that form the Falbala on the bottom edge of the skirt are from Nakara, as well as the paves on the body. The dress is made of red satin (Nakara), is trimmed with a white band and has a lining of white satin, trimmed with a border of lilac flowers. (For the Grande Parure, velvet is also used for the Robe à la Turque). The print is part of the 5th cahier from the Cabinet des Modes Ou Les Modes Nouvelles series. The series consists of 72 fashion prints, published by Buisson, Paris, November 15, 1785 - November 1, 1786. Paris paper engraving Robe à la Turque. According to the accompanying text, the woman wears a large hat of satin (color Nakara), garnished with bows of lilac ribbon and an aigrette. Around the hat a ribbon of the same color as the dress. Fichu van Linen with Lila Strik. Body and skirt of white satin with embroidered lilac flowers and green leaves. The strips that form the Falbala on the bottom edge of the skirt are from Nakara, as well as the paves on the body. The dress is made of red satin (Nakara), is trimmed with a white band and has a lining of white satin, trimmed with a border of lilac flowers. (For the Grande Parure, velvet is also used for the Robe à la Turque). The print is part of the 5th cahier from the Cabinet des Modes Ou Les Modes Nouvelles series. The series consists of 72 fashion prints, published by Buisson, Paris, November 15, 1785 - November 1, 1786. Paris paper engraving
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