. Painting, sculpture, and architecture as representative arts : an essay in comparative aesthetics. FIQ. 124.—CONTEMPT AND Muscle of the Lips. See pages 121, 183, 185, 188. 184 PAIiVTING, SCULPJTRE, AND ARCHITECTURE. 51, page 99). When not only the lips, but the wholemouth is slightly open, this indicates great interest eitheras applied to what is pleasing (Figs. 125, page 184, 127,page 185, and 52, page 100) or alarming (Figs. 126, page184, 128, page 186, 129, page 186). Notice also the alarmcombined with rage in Fig. 121, page 181. Thus theopening mouth seems to indica
. Painting, sculpture, and architecture as representative arts : an essay in comparative aesthetics. FIQ. 124.—CONTEMPT AND Muscle of the Lips. See pages 121, 183, 185, 188. 184 PAIiVTING, SCULPJTRE, AND ARCHITECTURE. 51, page 99). When not only the lips, but the wholemouth is slightly open, this indicates great interest eitheras applied to what is pleasing (Figs. 125, page 184, 127,page 185, and 52, page 100) or alarming (Figs. 126, page184, 128, page 186, 129, page 186). Notice also the alarmcombined with rage in Fig. 121, page 181. Thus theopening mouth seems to indicate that the man is drinkingin whatever is seen or heard. When, in addition to this,the lips seem brought forward, as when uttering whew !.
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