. A short history of art . onal is to say, he translated the actual hues of nature intoan equivalent scheme of light and dark colours, based uponone or two hues. He was partial to grey and brown, thesecolours predominating, while such others as are used combinewith them in a harmony of tone. Thus his landscapes sug-gest nature, without exactly representing it. Hobbema (1638-1709) More naturalistic in his rendering of natures appearancesis Meindert Hobbema. His masterpiece is the Road toMiddelharnis, of the National Gallery, in which by ar-rangement of the rows of tall poplars ag
. A short history of art . onal is to say, he translated the actual hues of nature intoan equivalent scheme of light and dark colours, based uponone or two hues. He was partial to grey and brown, thesecolours predominating, while such others as are used combinewith them in a harmony of tone. Thus his landscapes sug-gest nature, without exactly representing it. Hobbema (1638-1709) More naturalistic in his rendering of natures appearancesis Meindert Hobbema. His masterpiece is the Road toMiddelharnis, of the National Gallery, in which by ar-rangement of the rows of tall poplars against the high,spacious sky he has invested a simple scene with very noblesuggestion. He was a pupil of Jacob Ruisdael. Jacob Ruisdael (1625-1682) The latter was a native of Haarlem, who began by paint-ing in the environs of that city and later worked aroundAmsterdam. But there was little call for his pictures, thepublic being more attracted by the romantic landscapes ofAlbert van Everdingen (1621-1676), who had been ship-. BIJKS MTJSEUSIJAN STEEX THE PARROT CAGEOne of the artists inimitable scenes of actual life.
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Keywords: ., boo, bookcentury1900, bookdecade1910, booksubjectart, bookyear1913
