Sights in Boston and suburbs : or, guide to the stranger . perior in action, elasticity of touch, andpower of tone, to any I have ever used in this or the old country. Anotherstriking feature in hoth your Grand and Square Pianos, (and where others toooften fail,) is their remaining in tune under the heaviest and most difficult play-ing, not a string shattering or flatting, and the action remaining so perfect thatthe performer is enabled, at all times, to give instantaneous effect to emphaticpassases. I am, Gentlemen, vents, very sincerely, Boston, Sept. 1855. GUSTAVE SATTER. Owing to the beaut
Sights in Boston and suburbs : or, guide to the stranger . perior in action, elasticity of touch, andpower of tone, to any I have ever used in this or the old country. Anotherstriking feature in hoth your Grand and Square Pianos, (and where others toooften fail,) is their remaining in tune under the heaviest and most difficult play-ing, not a string shattering or flatting, and the action remaining so perfect thatthe performer is enabled, at all times, to give instantaneous effect to emphaticpassases. I am, Gentlemen, vents, very sincerely, Boston, Sept. 1855. GUSTAVE SATTER. Owing to the beautiful elasticity of the action of your Grand Piano-Fortes,(which possesses the same qualities as the action that has contributed to giveErard his world-wide reputation.) I think it would be impossible for any pianistwho played properly, to break either a string or a hammer. I certainly neverhave broken them. In conclusion, 1 beg to express to you my perfect satisfaction,in every respect, with regard to your Grand Piano-Fortes. Very truly yours, WM. ASTOR HOUSE,
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Keywords: ., bookcentury1800, bookdecade1850, bookidsightsinbost, bookyear1856
