. Studio international . WOOD INTARSIA PANEL IlV OSCAR HABERER (See Berlin Sludio- Talk, p. 157) 159 Art School Notes. WOOD INTARSIA PANEL (See Berlin Studio-Talk, p. itf) BY OSCAR HABERER Venetian dusk ; in depicting the vernal landscape,too, he has shown a fine understanding. Thanksto his lyric temperament he succeeds admirably intranslating to canvas brilliant sunshine, for hispreference is either for the bright light of day or thedarkness of night, and as a painter he avoids strongtone contrasts. He has also ventured into thedomain of portraiture, and at the EighthInternational Exhibition
. Studio international . WOOD INTARSIA PANEL IlV OSCAR HABERER (See Berlin Sludio- Talk, p. 157) 159 Art School Notes. WOOD INTARSIA PANEL (See Berlin Studio-Talk, p. itf) BY OSCAR HABERER Venetian dusk ; in depicting the vernal landscape,too, he has shown a fine understanding. Thanksto his lyric temperament he succeeds admirably intranslating to canvas brilliant sunshine, for hispreference is either for the bright light of day or thedarkness of night, and as a painter he avoids strongtone contrasts. He has also ventured into thedomain of portraiture, and at the EighthInternational Exhibition of Art here he ex-hibited a portrait of a lady in the costumeof 1850—a distinguished piece of should also be made of hisposters, ex-libris, and wood-engravings, allhandled with an eminently decorativefeeling. In short, we do not think weare wrong in pointing to Guido Marussigas an energetic and original artist who inspite of his youth has already achievedmuch that is worthy of note and fromwhom we may expect much more in thefuture. L. Br. ART SCHOOL NOTES. LONDON.—At the Royal Academythe appointm
Size: 2052px × 1218px
Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
