A short history of engraving [and] etching : for the use of collectors and students; with full bibliography, classified list and index of engravers . in the British Museum. Another English work, attributed withcertainty to Marcus Gheraerts L, is seen in the etched plates to Jan v. d. NootsTheatre (John Day, London, 1568), published the year in which he settled inEngland. ^ with Ryther and de Bry in Mariners Mirrour, 1588 ; separatemaps, such as the Christian Knight map of the world (1596), and another designedto illustrate the vojages of Drake and Cavendish. ?* Unique in this
A short history of engraving [and] etching : for the use of collectors and students; with full bibliography, classified list and index of engravers . in the British Museum. Another English work, attributed withcertainty to Marcus Gheraerts L, is seen in the etched plates to Jan v. d. NootsTheatre (John Day, London, 1568), published the year in which he settled inEngland. ^ with Ryther and de Bry in Mariners Mirrour, 1588 ; separatemaps, such as the Christian Knight map of the world (1596), and another designedto illustrate the vojages of Drake and Cavendish. ?* Unique in this state, British Museum ; later cut down to three-quarter is a very similar portrait by Crispin van de Passe (1603), after a drawing byIsaac Oliver, now in Windsor. Perhaps the Rogers and the Oliver drawing bothgo back to a lost painting. * Two impressions known, Brit. Mus. and Paris. ^ Bodleian, unique impression. WILLIAM ROGERS 137 engravers as the Collaerts, de Bruyns, and de Brys is not to begainsaid. One of the latest plates that are known from his hand, thelarge Henry VIII. and his progeny^ after Lucas dHeere ^ (about 1603-. FiG. 52.—William Rogers. Portrait of Queen Elizabeth. 1604) is among the earliest prints to be published by Sudbury and ^^^^jPf^^^^^.Humble, whose names figure so frequently on engravings for the s^jb^.-y^^njnext twenty Sudbury and Humble soon had a rival publisher Compton Holland ^ (a son of the famous translator Philemon Conjpt-onHolland) and may perhaps have been succeeded by William Peake,^ name appears on many of the late states of the prints which Picture at Sudeley Castle.•* From about 1612. 2 Humble alone, until about Cf. Chapter V. p. 152, note 2. 138 THE DECLINE OF ORIGINAL ENGRAVING . Tenner. and Stent. Overton. llstrack.) and M.)roeshout. imon and Villem an de Passe. ecill. ayne. rlarshall. /?aughan. ross. /an they had issued
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Keywords: ., bookcentury1900, bookdecade1900, booksubjecte, booksubjectetching
