The new spirit in drama & art . ann)—Exterior Plans ....... 134, Four Designs of a Zehschen Theatre Auditorium of the Rohe-Zehschen Theatre, Munich (Architect. A. Zeh) ....Plan of Prince Regent Theatre, Munich (Architects, Heilmann an Littmann) ....Plaster Model of the Rohe-Zehschen TheatreThe Open-air Theatre at OberammergauGround Plan of Jeno Kemendys StageA New Type of Stage : Two Settings of LohengrinStudy by Alfred Wolmark (in colours)Study by S. J. Peploe Abundance, by Le FauconnierStudy of Himself, by Wyspianski Les Adieux, by Umberto BoccioniA Photograph of Open-air Theatre, Warsaw .Sk
The new spirit in drama & art . ann)—Exterior Plans ....... 134, Four Designs of a Zehschen Theatre Auditorium of the Rohe-Zehschen Theatre, Munich (Architect. A. Zeh) ....Plan of Prince Regent Theatre, Munich (Architects, Heilmann an Littmann) ....Plaster Model of the Rohe-Zehschen TheatreThe Open-air Theatre at OberammergauGround Plan of Jeno Kemendys StageA New Type of Stage : Two Settings of LohengrinStudy by Alfred Wolmark (in colours)Study by S. J. Peploe Abundance, by Le FauconnierStudy of Himself, by Wyspianski Les Adieux, by Umberto BoccioniA Photograph of Open-air Theatre, Warsaw .Sketch of Open-air Theatre, Warsaw, by WyspianskiCafd Scene, by Gino Severini Design for Russian Opera-ballet Prince by M. RoerickStudy by Auguste Chabaud .Costume Design for Fire by Egorof .Study by Andrd DerainStudy by S. F. Gore (in colours)Study by Picasso .... The Boxers, by A. Dunoyer-SegonzacStudy by Othon FrieszStudy by Phelan Gibb 35: 125 130136140 141 142146146150152156160166170178186186190 19+198198204210214218222228. THE NEW SPIRIT IN DRAMAAND ART INTRODUCTORY CHAPTER WHITHER ? There is no tyranny like liberty. The desire of it hasgoverned Man ; Man is now endeavouring to governliberty. This is the spirit of to-day. Lord Acton believedthat modern history was the history of the emancipation ofconscience from the control of power. Looking back, hesaw the Divine Right of the Church being replaced by theDivine Right of the State, and this in turn by the DivineRight of the Individual. To him it was a delight to see the[State fettered and the individual free. But there is nothingnew in the transference of power ; it has been going on fromthe beginning. Ever since the world began there has beenthe question of government by force and government byconsent, of the control of the individual and control by theindividual, of authority and liberty. Possibly it is true thereis nothing new under the sun ; but we like to think there issomething new, all the same. 2 THE NEW SPIRIT IN
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Keywords: ., bookcentury1900, bookdecade1910, booksubjecttheater, bookyear1912
