. The amateur's first book, or, The flute without a master : containing an analysis of the rudiments of music, arranged on an entirely new system in progressive lessons. Piano and Forte, or p and/. These are marks of frequent occurrence, and direct that any passage, so marked, should beperformed, piano or soft, forte or loud. It is important, when the emphasis is thus directed to be placed on any note or notes,that it should be expressed; for many times the whole effect of a passage may be lost, by neglecting it. Accellerando. This term directs, that the performer should hasten, or urge the mo
. The amateur's first book, or, The flute without a master : containing an analysis of the rudiments of music, arranged on an entirely new system in progressive lessons. Piano and Forte, or p and/. These are marks of frequent occurrence, and direct that any passage, so marked, should beperformed, piano or soft, forte or loud. It is important, when the emphasis is thus directed to be placed on any note or notes,that it should be expressed; for many times the whole effect of a passage may be lost, by neglecting it. Accellerando. This term directs, that the performer should hasten, or urge the movement, with more spirit than it com-menced. Rallentando—Lentando—Retardando. These terms are synonymous with each other and are the reverse of Acceller-ando. They direct that the performer should retard or slacken the movement. The effect of these terms is exceedingly power-ful and expressive. When the original movement should be resumed, (after either of the three last marks of expression,) it-isindicated by the term A Tempo. This subject has carried us to a considerable length, but it is hoped that this will not prevent its careful study and p
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Keywords: ., bookcentury1800, bookdecade1840, bookidamateursfirs, bookyear1844
