Modern harmony, its explanation and application . nant, may be regarded as free. The resolution of the chosen note may be— (a) by fall of a second, (6) by remaining pedal-wise, or (c) by rising chromatically. The dissonant note may be transferred to another part, or frequently the choice of part, or pitch, for its appearance is Trans- immaterial, so long as the resolution chord contains ference of the note it demands. In Example 229 the B flat, a Discord, pa^j,^ (jf ^jje augmented sixth chord, leaps in an unrestricted manner to the F in the second bar. In the Wagnerian motives, only some of th
Modern harmony, its explanation and application . nant, may be regarded as free. The resolution of the chosen note may be— (a) by fall of a second, (6) by remaining pedal-wise, or (c) by rising chromatically. The dissonant note may be transferred to another part, or frequently the choice of part, or pitch, for its appearance is Trans- immaterial, so long as the resolution chord contains ference of the note it demands. In Example 229 the B flat, a Discord, pa^j,^ (jf ^jje augmented sixth chord, leaps in an unrestricted manner to the F in the second bar. In the Wagnerian motives, only some of the dissonant notes resolve, whilst others proceed freely. The Tschaikowsky and Reger method is endorsed by the Parry extract (Example 24). The rule might run :— Any discord is allowed to jump summarily 105 106 MODERN HARMONY to the tonic harmony. This procedure is endorsed by the elision principles mentioned later. ModerateCellil. cantabile MOSZKOWSKl,Prelude et Fugue for Strings. i ^g f W (orch) ^ i^S#= ^^i= ^M S^ CeUi n. WAGNER,GotterdammeningAct IIL
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Keywords: ., bookcentury1900, bookdecade1910, booksubjectharmony, bookyear1915
