Beethoven and his nine symphonies . U4\U4kti^W^\dJM^SM Fag. Ob. 8va. ppJtaL Fag. & This movement was a distinct novelty in 1800. When some»ne was discussing with Haydn a rule of Albrechtsberger, 12 FIBST SYMPHONY. Beethovens master, that in strict composition all fourthsshould be absolutely banished, the old composer—with acharacteristic combination of sense and daring, qualities inwhich he almost equalled his great successor—broke off theconversation with the words, What nonsense! how muchmore to the purpose it would be if someone would show ushow to make a new minuet (Griesinger, p. 114
Beethoven and his nine symphonies . U4\U4kti^W^\dJM^SM Fag. Ob. 8va. ppJtaL Fag. & This movement was a distinct novelty in 1800. When some»ne was discussing with Haydn a rule of Albrechtsberger, 12 FIBST SYMPHONY. Beethovens master, that in strict composition all fourthsshould be absolutely banished, the old composer—with acharacteristic combination of sense and daring, qualities inwhich he almost equalled his great successor—broke off theconversation with the words, What nonsense! how muchmore to the purpose it would be if someone would show ushow to make a new minuet (Griesinger, p. 114). Here, ifhe had ever heard it, he would surely have found the newminuet he sought for I Would he have approved of it whenhe did hear it ? The Trio, or intermezzo between the so-called Minuet andits repetition, departs a long way from the original plan,under which the Trio was only a second minuet. It is here adelicious dialogue between the wind and stringed instruments— No. 15Wind Wind
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Keywords: ., bookcentury1800, bookdecade1890, booksubjectsymphon, bookyear1896
