The gemolken mandenvlechter 502 revolutions sports as well weaves these (op title object), the secular Emblem, 1596 (serietitel) a basket weaver sits in his workshop and working on a basket . His wife, a widow with a child from her first marriage, asking him for money that they then immediately passes on to her son. The young man is beautifully dressed and wears a distinctive hat with the long feathers. The accompanying text reads in the album: With the widow ghetraut / braid ich mein Hives / That my melckt vant'ghelt to haer Jonk bedorven. Manufacturer : printmaker Johann Theodor de Brynaar p
The gemolken mandenvlechter 502 revolutions sports as well weaves these (op title object), the secular Emblem, 1596 (serietitel) a basket weaver sits in his workshop and working on a basket . His wife, a widow with a child from her first marriage, asking him for money that they then immediately passes on to her son. The young man is beautifully dressed and wears a distinctive hat with the long feathers. The accompanying text reads in the album: With the widow ghetraut / braid ich mein Hives / That my melckt vant'ghelt to haer Jonk bedorven. Manufacturer : printmaker Johann Theodor de Brynaar picture of: Gillis van Breen (possible) for drawing: Pieter de Jodeuitgever: Johann Theodor de BryPlaats manufacture: Frankfurt Date: 1596 Physical features: car material: paper Technique: engra (printing process) Dimensions: plate edge: h 108 mm × W 85 mmToelichtingAfkomstig out: Emblemata Saecularia. Mira et iucunda varietate seculi huius mores ita Experimentia (...). 1st edition. Frankfurt am Main: The Bry and J. I. de Bry, 1596. Subject: Existence and Modes of Existence (+ emblematical representation of concept) handicrafts ~ plant material second marriage of widow
Size: 1400px × 1785px
Photo credit: © Art World / Alamy / Afripics
License: Licensed
Model Released: No
Keywords:
