International studio . the Goupil Gallery—chieflyremarkable for the variety of atmosphericconditions recorded by the artist; and atthe same gallery the first exhibition of anew Anglo-French group of Impressionistswho designate themselves the Monarro group—a name apparently compoundedfrom those of the two leaders of theschool, M. Claude Monet, honorary presi-dent of the group, and M. Pissarro. Thisinaugural exhibition consisted largely of 36 landscapes, but there were also some ex-cellent studies in portraiture and otherfigure subjects—as, for instance, M. LucienPissarros Portrait, M. Rodos The


International studio . the Goupil Gallery—chieflyremarkable for the variety of atmosphericconditions recorded by the artist; and atthe same gallery the first exhibition of anew Anglo-French group of Impressionistswho designate themselves the Monarro group—a name apparently compoundedfrom those of the two leaders of theschool, M. Claude Monet, honorary presi-dent of the group, and M. Pissarro. Thisinaugural exhibition consisted largely of 36 landscapes, but there were also some ex-cellent studies in portraiture and otherfigure subjects—as, for instance, M. LucienPissarros Portrait, M. Rodos The GreenJumper, Mr. J. B. Mansons Portrait ofMary, Mr. Van Rysselberghes Etude de Nu,The two last-named artists act for thegroup as honorary secretaries for Londonand Paris respectively. a a a PARIS. — To obey the sensations heexperiences and to translate themwith all the art of which he is capable,with due regard to the teachings of thepast, such is the proper function of theartist who pursues his destiny while. LA LE?ON DE PIANOFROM THE PAINTINGBY WILLIAM LAPARRA STUDIO-TALK


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