. Studio international . IVORY CARVING: A WOOD-CUTTER BY MURATA KICHIGORO ivory car-vers beforehe hisworks inivory, thatof a Childwith Cock(p. i o 6)shows hisextremeclevernessin a diffi-cult fowl isfull of lifeand move-ment. Per-simmons(p. 107) isanothersubject ofh i s depictsa good-naturedoldcountry-man extending a persimmon with his right hand,and the amiable expression upon his face suggeststhat he is giving this fruit to a child. Still another. IVORY CARVING : A BEAUTYBY OGURA MASAKO in the cavalry, and one is not sur-prised to learn that he becamevery fond
. Studio international . IVORY CARVING: A WOOD-CUTTER BY MURATA KICHIGORO ivory car-vers beforehe hisworks inivory, thatof a Childwith Cock(p. i o 6)shows hisextremeclevernessin a diffi-cult fowl isfull of lifeand move-ment. Per-simmons(p. 107) isanothersubject ofh i s depictsa good-naturedoldcountry-man extending a persimmon with his right hand,and the amiable expression upon his face suggeststhat he is giving this fruit to a child. Still another. IVORY CARVING : A BEAUTYBY OGURA MASAKO in the cavalry, and one is not sur-prised to learn that he becamevery fond of horses, and made thisanimal his favourite subject incarving. He went to France andGermany at the time of the ParisExposition in 1900, where hestudied the methods of the carversof the West. Upon his return toJapan he became a pupil of AsaiChu, and learned oil painting, asYonehara learned of Gaho. Yoshida Homei learned the artof ivory carving from. ShimamuraShimmei. Although a young manof thirty-five, he has done somegood work and displayed muchskill and capability in the treat-ment of diverse subjects. He hasundoubtedly a very bright futurebefore him, and some predict thathe will be one of Japans greatest
Size: 1189px × 2102px
Photo credit: © Reading Room 2020 / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury180, booksubjectart, booksubjectdecorationandornament
