Lessons in expression and physical drill . u-hu-hu-hu! practice it. Try to enterinto the spirit of it. See if you can discover whatvarying sentiment enters into different laughs. Whichsuits you individually best? Do you use different kindsat different times? This laughing practice is oneof the most valuable vocal exercises; it is healthful;and, as the laugh indicates the character, it is worthwhile to cultivate & proper habit of laughing. 185- The positions of the hand are, Supine, Averse,Index, Clenched, Prone, and Reflex. 186. The Supine Hand (See Figures 12, 19, 20,21,) is most used. It is
Lessons in expression and physical drill . u-hu-hu-hu! practice it. Try to enterinto the spirit of it. See if you can discover whatvarying sentiment enters into different laughs. Whichsuits you individually best? Do you use different kindsat different times? This laughing practice is oneof the most valuable vocal exercises; it is healthful;and, as the laugh indicates the character, it is worthwhile to cultivate & proper habit of laughing. 185- The positions of the hand are, Supine, Averse,Index, Clenched, Prone, and Reflex. 186. The Supine Hand (See Figures 12, 19, 20,21,) is most used. It is friendly, considerate and un-impassioned. It appeals to the judgment of the the Supine Hand is used in direct address thehand should always be drooped from the wrist enoughso the person addressed can see the palm. Extend the 80 STUDIES IN ACTION; VOCAL EXERCISES. hand supine toward a company. Hold it a little toohigh so they cannot see the palm and they are it so those in the center can see the palm, but those. Be a hero in the the side cannot, and these last are excluded. The first finger should be straight; the others slightly andloosely curved. Practice until you get it just can tell when it looks right. To criticise your- iiii: SUPINE hand. SI self, practice before a mirror. In all study of Actionyour glass may be made your greatest helper. 187- Practice the following with supine hand as in-dicated: a. i am very glad to see you. (Jood even, sir. R1 Hand Front. Hor. b. Be a hero in the strife. lit. Up Obi. c. Is there for honest poverty, Left, Hor. Fr. Wha hangs his head, and a that? —Bums. d. Come unto me, all ye that labor and Both Hands,*Hor. ObL are heavy laden, and I will give you rest. — not make the gestures rapid; let the hand move slow, gracefully, reaching its fullness or culmination, just at the point of emphasis. Hold it in position while the thought requires it, then withdraw it gracefully; do n
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