Ilya Chashnik - Suprematist Cross - 1923
Once his apprenticeship under Malevich began, Chashnik’s paintings underwent a radical change. Chashnik cultivated his own distinctive style within the Suprematist idiom, developing Malevich’s ideas of abstraction and non-figuration to produce floating geometric shapes with crossing planes. While Malevich composed white-on-white paintings wrapped in fragile stillness and simplicity, Chashnik moved toward more dynamic pieces where black was the predominant element - The Charnel House
Size: 2259px × 3182px
Photo credit: © steeve-x-art / Alamy / Afripics
License: Royalty Free
Model Released: No
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