. Model drawing and shading from casts; a complete guide to the elementary and advanced examinations in these subjects; . Fig. 42. drawing is finished it should suggest a white there is time for it, the toning of the rest of thepaper, as suggested in the three ^lustrations, willgreatly assist this effect; but at an examination—forin the adyanced stage four hours is the limit—there LIGHT AND SHADE. 85 is not often time for this, although, with a littlepractice, a tone can be quickly laid on with a pieceof washleather. Two pieces of pointed india-rubber,one as hard as ink-eraser, will be
. Model drawing and shading from casts; a complete guide to the elementary and advanced examinations in these subjects; . Fig. 42. drawing is finished it should suggest a white there is time for it, the toning of the rest of thepaper, as suggested in the three ^lustrations, willgreatly assist this effect; but at an examination—forin the adyanced stage four hours is the limit—there LIGHT AND SHADE. 85 is not often time for this, although, with a littlepractice, a tone can be quickly laid on with a pieceof washleather. Two pieces of pointed india-rubber,one as hard as ink-eraser, will be required for removingthe chalk; these will effect the purpose quite as wellas stale bread, and are much more convenient. Theabove instructions are for working on white Fig. 43. but it is very good practice to work on grey paper,making use of the colour of the paper for the halttone or middle tint, and rubbing out the high lightswith the india-rubber. The paper* can be obtainedready tinted, and will be found very usetui toradvanced students ; but beginners will have to do toomuch rubbing out before their outline is complete,* Oopnalla paper. 86 MODEL DRAWING AND SHADING FEOM CASTS. which will of course disturb the colour, to make theprepared paper quite suitable for them. It will bebetter to complete the drawing on white paper, andthen, having made the lines rather firmer than wouldotherwise be advisable, cover the whole surface asevenly as possible with a light tone of chalk rubbedin with washleather, or with a stump specially pre-pared for laying on flat tones.* Working alternatelywith your stump and your indidi-rubber, you will findyou can obtain very good effects very method is to work on ordinary brown paperor on French grey pape
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Keywords: ., bookcentury1800, bookdecade1890, bookpublisherlondonchapmanandha
