Academy notes . No. 151. Waifs and Strays, JOSEPH Clark. (See also No. 164)No. 155. Umvilling Evidence; W. C Horsley. Gallery II, 19 Near the foregoing are—No. 154, A Portrait, ACHILLE Zo;No. 156, Still Life; E. G. H. Lucas; No. 157, Voyage ofSindbadthe Sailor, Albert Goodwin, a wild poetic landscapewith cranes on the sea-shore; No. 158, Ponies at Pasttcre, Cani-pagna, ARTHUR Lemon ; No. 159, Happy Moments, a girl inyellow saque, N. E. Detmold. No. 163. At the Golden Gate! Val Prinsep, large upright picture, rich in colour ; one figure in brown robestanding before the golden gate of Pa
Academy notes . No. 151. Waifs and Strays, JOSEPH Clark. (See also No. 164)No. 155. Umvilling Evidence; W. C Horsley. Gallery II, 19 Near the foregoing are—No. 154, A Portrait, ACHILLE Zo;No. 156, Still Life; E. G. H. Lucas; No. 157, Voyage ofSindbadthe Sailor, Albert Goodwin, a wild poetic landscapewith cranes on the sea-shore; No. 158, Ponies at Pasttcre, Cani-pagna, ARTHUR Lemon ; No. 159, Happy Moments, a girl inyellow saque, N. E. Detmold. No. 163. At the Golden Gate! Val Prinsep, large upright picture, rich in colour ; one figure in brown robestanding before the golden gate of Paradise. No. 164. A Tempting Offer ; old man with oranges. J. Clark. Above are—No. 161, Vespers, R. B. BROWNING; and No. 165, Feeding the Hungry, Frank Calderon. \Poor?[ Next are—No. 170, The Squirrel, A. E. Emslie ; No. 171, Members of the Commons, E. Byrne de Satur ; No. 172, Sunrise on the Carrara Hills, G. CoSTA ; the last an Italian landscape to be specially noted, the only contribution by this 4K No. 181. 36 X 30^. No. 181. Portrait of J. Whichcord, Esq., , Ex-Presidentof the Inst, of British Architects. L. Alma-Tadema, Tademas only picture this year ; the sketch of the head isby the artist. e 2 20 Academy Notes^ 1882. On either side of Mr. Alma-Tademas portrait are two Venetianpictures, which may be examined together: the first by the artistwho painted ^ The Bead Stringers^m the Academy in 1880; thesecond by the newly elected associate. These pictures are full ofsunny southern light and local colour; the details too elaboratefor a small sketch. No. 176. ^Luncheon Time in a Veiietian Sartorial C. Van Haanen. No. 182. Bargaining for an Old Master Henry WOODS, Above are No. 179, Llanbedr Fair! North Wales, F. W. Jack-son ; No. 180, The Birchwoodl J. H. Snell ; and No. 183, Portrait of the Rev, E. T. Hoare^ C. P. Downing. On the last wall are— No. 188, January; a marshy meadow, Thomas Ireland;No. 189, Sir George Campbell, M,P,; John Colli
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Keywords: ., boo, bookcentury1800, bookdecade1870, booksubjectart, bookyear1875
