Calvary, Nicolas II Palardin (attributed to workshop of), Martin Fiacre (attributed to workshop of), c. 1560 In a mountainous landscape, the cross with the body of Christ stands frontally between two slices placed afterwards with the murderers. The latter hang on tree trunks with truncated branches; The left, the good murderer, Dismas, the viewer and with a raised head, is partly bound and partly nailed, while the evil murderer, Bestas, averted from the viewer, is nailed to hands and feet. Above Christ's cross, God comes out of the Father from the clouds. Left on the left sits Longinus with La

Calvary, Nicolas II Palardin (attributed to workshop of), Martin Fiacre (attributed to workshop of), c. 1560 In a mountainous landscape, the cross with the body of Christ stands frontally between two slices placed afterwards with the murderers. The latter hang on tree trunks with truncated branches; The left, the good murderer, Dismas, the viewer and with a raised head, is partly bound and partly nailed, while the evil murderer, Bestas, averted from the viewer, is nailed to hands and feet. Above Christ's cross, God comes out of the Father from the clouds. Left on the left sits Longinus with Lans on horseback, assisted by a Roman soldier, which is also on horseback, aiming for the blind Longinus de Lans on Christ's silk. On the right two horsemen, one of whom, the chief, keeps a lance and the other is in conversation with a young man. More to the right, on a lower terrain, a rider above whose shoulder protrudes the head of a boy, and a soldier who supervises a group of soldiers from behind the right cross, consisting of a bent on Christ's knitting soldier, who He ceases with one hand, a soldier in attack with a dagger in the right hand, while his left grabs the shoulder of a soldier who seems to be stopped by another by the means. Maria falls into the foreground on the left. She is held in the left arm by John -running from the right and supported from behind by a holy woman, who in turn is taken care of by a kneeling holy woman. There are two women in conversation behind them; A little more in the background a gallows with wheel, on which a corpus lies, the head of which is stabbed on a stick; Jerusalem and the temple. The soil shows vegetation here and there; A few clouds float in the background between the crosses. The soldiers are in pseudo-Roman costume, the other figures in robes from the era of Mannerism. Liège touchstone. marble (rock) In a mountainous landscape, the cross with the body of Christ stands frontally between two slices placed afterwards with the

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