Wilson's quarter century in photography : a collection of hints on practical photography which form a complete text-book of the art . Or, if you are in a grass-growing country, where it is the 206 Wilsons quarter century in photography. Fig. (photographically less perfect), in which any of the changing effects of light andshade may have been successfully rendered. The artist should likewise con-sider that careful and dis-criminatmg selection willmake itself felt in this asin every other descriptionof subject, and must not goout with his camera as to asort of photographic battle,in which
Wilson's quarter century in photography : a collection of hints on practical photography which form a complete text-book of the art . Or, if you are in a grass-growing country, where it is the 206 Wilsons quarter century in photography. Fig. (photographically less perfect), in which any of the changing effects of light andshade may have been successfully rendered. The artist should likewise con-sider that careful and dis-criminatmg selection willmake itself felt in this asin every other descriptionof subject, and must not goout with his camera as to asort of photographic battle,in which one well studiedpicture seems not to be thedesideratum, but quantitynot qucdity is sought the truth is, that onelittle bit of well selectedforeground, a bank with a would be puzzled to know how to pose them, unless you could invent a story to workthem into. Answering the Horn, does it. The parties halt at the sound; the answer-ing hand goes up with a shout from the mouth ofthe man, which closes that of the woman, and thepicture is worthy of the camera. In attempting larger groups, as The WashingPlace—Brittany (Fig. 207), by Mr. E. M. Ward,or any group where the figures are numerous, theeffort should be to give variety to the ocup
Size: 1896px × 1319px
Photo credit: © The Reading Room / Alamy / Afripics
License: Licensed
Model Released: No
Keywords: ., bookcentury1800, bookdecade1880, bookidwilsonsquart, bookyear1887
