. A short history of art . TAN EYCK THE MAN WITH THE PINKSA masterpiece of naturalistic observation and ac 3O O o enH 5 o ?^ EARLY RENAISSANCE IN NETHERLANDS herself from the arrow which is to put an end to her the background are soldiers and tents, and far away isCologne Cathedral. The colouring on the panels of thereliquary is charming, and the grouping is as fine as any-thing in the whole Flemish school. More precious than a shrine of silver, says Van Man-der, is Memlings Shrine of St. Ursula. Gheeradt David (1450-1523) Gheeradt David was one of the most important imita
. A short history of art . TAN EYCK THE MAN WITH THE PINKSA masterpiece of naturalistic observation and ac 3O O o enH 5 o ?^ EARLY RENAISSANCE IN NETHERLANDS herself from the arrow which is to put an end to her the background are soldiers and tents, and far away isCologne Cathedral. The colouring on the panels of thereliquary is charming, and the grouping is as fine as any-thing in the whole Flemish school. More precious than a shrine of silver, says Van Man-der, is Memlings Shrine of St. Ursula. Gheeradt David (1450-1523) Gheeradt David was one of the most important imitatorsof Van Eyck and Memling. Dierick Bouts (1410-1475) Dirck of Haarlem, whose family name was Steuerbout,showed deep religious feeling, and his landscapes were quiteremarkable for their charming freshness. He was in thehabit of suggesting distinctions in his impersonations byvarieties of texture in skin and complexion. The coarsegrain of the faces of the apostles, for instance, is distin-guished from the finer one of that of Christ by accidentsof surface, and by swarth. The contrasts created by thismeans a
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Keywords: ., boo, bookcentury1900, bookdecade1910, booksubjectart, bookyear1913
