Yaksha, possibly Kubera late 6th–early 7th century Southern Cambodia or Vietnam Spirits—some protective, many malevolent—have always populated the landscape of Southeast Asia. Among the earliest surviving figurative sculptures from the region are enigmatic images best understood as personifications of the land and its elements—rocks, rivers, and trees. These nature-cult figures (yakshas and yakshis) existed alongside the emerging Hindu culture in mainland Southeast Asia and reflect a marriage of the two traditions. In an Indic setting, this deity probably represented Kubera, king of the yaksha
Yaksha, possibly Kubera late 6th–early 7th century Southern Cambodia or Vietnam Spirits—some protective, many malevolent—have always populated the landscape of Southeast Asia. Among the earliest surviving figurative sculptures from the region are enigmatic images best understood as personifications of the land and its elements—rocks, rivers, and trees. These nature-cult figures (yakshas and yakshis) existed alongside the emerging Hindu culture in mainland Southeast Asia and reflect a marriage of the two traditions. In an Indic setting, this deity probably represented Kubera, king of the yakshas and guardian of nature’s no. 14. Yaksha, possibly Kubera. Southern Cambodia or Vietnam. late 6th–early 7th century. Sandstone. pre-Angkor period. Sculpture
Size: 3689px × 4919px
Photo credit: © MET/BOT / Alamy / Afripics
License: Licensed
Model Released: No
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