Archive image from page 550 of Discovery Discovery discovery0102londuoft Year: Positive tor projection Positive for projection Positive for project: White FIG. 8. Fig. 9. Fig. The three impressions in three-colour printing. Standard sizes of plates can make coloured trans- parencies with a little patience by either the Lumiere or Paget processes, and many amateurs dabbled in these processes in the days before the war. But the drawback is the impossibility of making coloured prints. And there is also a difficulty in obtaining suitable objects to photograph. An English city contains compar
Archive image from page 550 of Discovery Discovery discovery0102londuoft Year: Positive tor projection Positive for projection Positive for project: White FIG. 8. Fig. 9. Fig. The three impressions in three-colour printing. Standard sizes of plates can make coloured trans- parencies with a little patience by either the Lumiere or Paget processes, and many amateurs dabbled in these processes in the days before the war. But the drawback is the impossibility of making coloured prints. And there is also a difficulty in obtaining suitable objects to photograph. An English city contains comparatively little colour ; perhaps the only bright colour in a street is a red letter-box or the coloured side-boards of a tram-car. And in the countrj', except at certain seasons, the colours are never saturated. So possibly the best rendering may be given by a sepia monochrome sHghtly tinted by hand. The method used for three-colour printing is, of course, the method by which three separate negatives
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