. A new history of painting in Italy, from the II to the XVI century; . ests on two columnsreposing, as usual, on the backs of lions. 1 Della Valle, Star, del Duomo di Orvieto, uhi sup., p. 263. ^ See inscription to that effect, transcribed in Mokrona, Pia. Illiut.,vol. ii., pp. 101-2. ^ Chron. and Annals of S. Cath. of Pis. in Marchesa, uhi sup., vol. i.,p. 398. One of Fra Guglielmos pupils was Fazio, a lay brother Dominic&n,who died 1340. See Chron. of S. Catherine of Pisa, in Arch. Stor., vol. \i.,p. 604. * Vasari, vol. i., p. 269. ^ Commenced in 1278. See the original inscription to that e


. A new history of painting in Italy, from the II to the XVI century; . ests on two columnsreposing, as usual, on the backs of lions. 1 Della Valle, Star, del Duomo di Orvieto, uhi sup., p. 263. ^ See inscription to that effect, transcribed in Mokrona, Pia. Illiut.,vol. ii., pp. 101-2. ^ Chron. and Annals of S. Cath. of Pis. in Marchesa, uhi sup., vol. i.,p. 398. One of Fra Guglielmos pupils was Fazio, a lay brother Dominic&n,who died 1340. See Chron. of S. Catherine of Pisa, in Arch. Stor., vol. \i.,p. 604. * Vasari, vol. i., p. 269. ^ Commenced in 1278. See the original inscription to that effect inVasari, p. 271, vol. i.« Ibid., p. 271. Vasari, vol. i., p. 271, says the Virgin and Child on the pinnacle ofLa Spina is by Giovanni. The height is great for a critical examinaticn,but the cast reveals the hand of Giovanni. He mentions also a portrait ofNiccola there. In the life of Andrea Pisano he adds that, in La Spina, Niioproduced a portrait of his father. Has he not confoimded these portrai:s,which do not exist, with a statue of the apostle Peter ?.


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