Los Sara Fontan during their concert at Casa Montjuïc, Barcelona, Spain. Photo by Mariano Anton.
Los Sara Fontan during their concert at Casa Montjuïc, Barcelona, Spain. Photo by Mariano Anton. When Los Sara Fontan started playing around 2017, they decided to do it without recording any albums. Never. An anti-industry “quixotesque” move that nevertheless has allowed them to play and surprise hundreds of spectators during their shows (close to 200) throughout Spain, France, Germany, Switzerland, Finland, England or Portugal. Nobody knew what to expect and the surprise effect amplified what came from the stage: an experimental duo, with a violin, a keyboard, a drum kit, an arsenal of pedal effects and resources that take them from contemporaneity to electronics, from the atmospheric to the unbridled in just a few seconds. Their music is born and dies on stage and that volatility turns each show into a kind of unrepeatable liturgy that remains only in the memory of those who are lucky enough enjoy it. Together they are capable of creating minimalist oases, garages full of noise and oil, beaches where time expands, impassable walls of sound, bases for the rapper that lives inside you, romantic precipices or underwater giving freedom to the listener to unleash its imagination.
Size: 3333px × 4445px
Photo credit: © Mariano Anton / Alamy / Afripics
License: Royalty Free
Model Released: No
Keywords: aloud, drone, drum, electronic, fontan, indie, instrumental, los, man, music, post-rock, rock, sara, scene, violin, woman
