An introduction to the study of prehistoric art . Fig. 36.—Baton. Gourdan. Fig. 37.—Human figurin,horn. Pont-^-Lesse(Belgium). aested a clever reconstruction by which the carved figureof the animal makes an appropriate and highly artistictermination of a baton.* The end of a curved batonfrom Gourdan is carved in the form of an anthropor-77iorphic head- (Fig. 36). A figurin in horn from the Trou 1 Les Cavernes de la Region Cantabrique, Fig. 47, p. 222. -^ La Caverne de Font de Ganme, Fig. 182 (3), p. 198. i Ibid., Fig. 130, p. 159. ^ LAnthrop.,\u., p. 287, Figs. 3, 6, 10. 5 Piette, op. ciL,
An introduction to the study of prehistoric art . Fig. 36.—Baton. Gourdan. Fig. 37.—Human figurin,horn. Pont-^-Lesse(Belgium). aested a clever reconstruction by which the carved figureof the animal makes an appropriate and highly artistictermination of a baton.* The end of a curved batonfrom Gourdan is carved in the form of an anthropor-77iorphic head- (Fig. 36). A figurin in horn from the Trou 1 Les Cavernes de la Region Cantabrique, Fig. 47, p. 222. -^ La Caverne de Font de Ganme, Fig. 182 (3), p. 198. i Ibid., Fig. 130, p. 159. ^ LAnthrop.,\u., p. 287, Figs. 3, 6, 10. 5 Piette, op. ciL, Plate VIII, Fig. i. r?^; !* MiIk [?IM ^^m till. om m l: im \ Fig. 38.—Spear dAzil. (Halfsize.) Fig. 39.—Raymonden (Dordogne).(Half size.) (From Cav. )
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Keywords: ., bookcentury1900, bookdecade1910, bookidintroduction, bookyear1915
