Transfer printing on enamels, porcelain and pottery : its origin and development in the United Kingdom . Fig. D 1 8-1 .MUG, PORCELAIN, Fig D 1 , PORCELAIN, Fig. D 1 , PORCELAIN, After the Masters. sketches that tickled the fancy of the people ofEngland about a century ago. The Dr. Syntaxbrochures were really of the same type as that ofDon Quixote, and were admirably illustrated byRowlandson. Of the remainder of the specimens, after thehigher art, there are:—Portrait of Reynolds, theQuaker philanthropist, after (
Transfer printing on enamels, porcelain and pottery : its origin and development in the United Kingdom . Fig. D 1 8-1 .MUG, PORCELAIN, Fig D 1 , PORCELAIN, Fig. D 1 , PORCELAIN, After the Masters. sketches that tickled the fancy of the people ofEngland about a century ago. The Dr. Syntaxbrochures were really of the same type as that ofDon Quixote, and were admirably illustrated byRowlandson. Of the remainder of the specimens, after thehigher art, there are:—Portrait of Reynolds, theQuaker philanthropist, after (?) Hobday (B 11); Deathof Wolfe, after West (B 12); Shakespeare, afterRoubiliac (B 15-1); Earl of Chatham, after (?)Brompton (B 15-3); George II, after (?) Morier (B 16);George III, after (?) Edridge (B 17) ; Harbour scene,after (?) Sam Prout (B 18); Portrait of General Wolfe,after (?) Gainsborough (B 19); Deer, after Landseer(B 20-1); Wedding scene, after Teniers (B 20-2) ;Landscape, after (?) Claude (B 21); and British Birds,after Bewick (B 22-1 and 2). That exhausts the list of my captures, but thereare others such as Ruins, by Panini; Stepping theMinuet, by Boucher; Milkmaids, and May Dance, byGainsborough {vide Downham). Other writers haveinform
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Keywords: ., bookcentury1900, bookdecade1900, bookpublisherlondonchapmanandha
