European enamels . subjects with Reymond arethe History of Susannah, allegorical figures repre-senting the months of the year, and subjects fromOld Testament history, such as the Judgment ofSolomon. He also took classical themes—the com-bats of Hercules, Venus, Neptune, Diana, and thewhole tribe of well-worn deities. The Reymond family also produced Jean, JosephFrancois, Martial, and another Pierre, son andgrandson of the Pierre already mentioned. A fewmediocre works by these men survive. THE COURTEY FAMILY The Courteys were probably glass-windowpainters. Pierre was an imitator, possibly a pup
European enamels . subjects with Reymond arethe History of Susannah, allegorical figures repre-senting the months of the year, and subjects fromOld Testament history, such as the Judgment ofSolomon. He also took classical themes—the com-bats of Hercules, Venus, Neptune, Diana, and thewhole tribe of well-worn deities. The Reymond family also produced Jean, JosephFrancois, Martial, and another Pierre, son andgrandson of the Pierre already mentioned. A fewmediocre works by these men survive. THE COURTEY FAMILY The Courteys were probably glass-windowpainters. Pierre was an imitator, possibly a pupilof Pierre Reymond. He sometimes spells his nameCourtois, or Cortoys. This family must not be con-fused with the Courts, about whom (though a fairnumber of their works have survived) but little isknown. THE COURT FAMILY One of the best is Jean Court, named is not to be confused with Jean de Court, whowas probably a relation, and inferior as an is also a Susannah Court, whose works are 134. CIRCULAR PLATEAU, APPARENTLY BY JEAN COURT DIT VIGIER THE DECORATION IN GRISAILLE COMPRISES THE TRIUMPH OF DIANA, A REMARKABLE BORDER OF GROTESQUE MONSTERS,AND THE PORTRAIT AND MONOGRAM OF DIANE DE POICTIERS
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Keywords: ., bookcentury1900, bookdecade1900, booksubjectenamelandenameling
