Modern harmony, its explanation and application . The same principle will apply to many of the brilliantcadenzas in Liszts pianoforte works, and also to the gossa-mer-spun melismce in Chopin, where the long chains ofequal intervals temporarily obHterate the feeling of a fixedkey. In the second field, Post-Impressionists solve the problem Abolishment ^oldly by abolishing all key-signatures. Some Sinatufes ^^^^P^^®^^ ^<=^ ^^ ^yril Scott and R^bikolf, use igna ures. ^^xe system for special subjects and on certain occasions, whilst others, like Eric Satie and Schonberg, adopt it as their sole m
Modern harmony, its explanation and application . The same principle will apply to many of the brilliantcadenzas in Liszts pianoforte works, and also to the gossa-mer-spun melismce in Chopin, where the long chains ofequal intervals temporarily obHterate the feeling of a fixedkey. In the second field, Post-Impressionists solve the problem Abolishment ^oldly by abolishing all key-signatures. Some Sinatufes ^^^^P^^®^^ ^<=^ ^^ ^yril Scott and R^bikolf, use igna ures. ^^xe system for special subjects and on certain occasions, whilst others, like Eric Satie and Schonberg, adopt it as their sole means of expression. * An analysis of this composition is given on p. 186. THE DUODECUPLE (OR TWELVE-NOTE) SCALE 61 CYRIL SCOTT. Poem3, N? 2. p Y ^; (Harmonic outlines.) S te icL^ l|fe& (Bass.) ^1 S ^ ^ = 1
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Keywords: ., bookcentury1900, bookdecade1910, booksubjectharmony, bookyear1915
